Theseus - Selaus asiasanan mukaan "cinema (art forms)"
Viitteet 1-12 / 12
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A look at abstract expressionist moving image : Highway 88 video installation as a case study
(2023)This thesis focused on the subgenre of abstract expressionist moving image. The works of three contemporary moving image artists, Stan Brakhage, Pipilotti Rist and Bill Viola, were analysed to exemplify traits of abstract ... -
F.I.L.M. (Finances, Investments, Logistics, Marketing) : is it possible for auteur films to reach a world audience in the same way as commercial movies?
(2022)The purpose of the study was to identify all challenges the auteur film face on its way to a large audience, and whether it is even possible for young producers and directors to reach the level of big studios and their ... -
Grannymania
(2022)Logline: In a small town of Savonlinna a teenage want-to-be artist Vallu has a crush on a senior citizen Aune. He fears public shaming and struggles with his mayor mother’s expectations as he fights to accept himself and ...Rajattu käyttöoikeus / Restricted access / Tillgången är begränsad -
Japanese film market : Opportunities and barriers for European and/or Finnish films in Japan
(2020)The aim of the thesis is to analyze the opportunities and barriers for European (EU) and/or Finnish films in the Japanese film market. By examining an overview of the market from the historical and structural perspective, ...Rajattu käyttöoikeus / Restricted access / Tillgången är begränsad -
KAVI Film Series: A Marketing Strategy in Joensuu
(2023)The KAVI film series in Joensuu has occurred since 1975. It is a film seasonal event where films from the Finnish archives are shown every spring and autumn. The one from Joensuu is organized by the North Karelia Film ... -
Mental Illness in Experimental Film : Portraying Bipolar Disorder Using Cinematography, Motifs and Mise-en-scène
(2022)The goal of this thesis was to determine whether motifs, cinematography and mise-en-scène are effective tools in portraying bipolar disorder. This thesis consists of Euphoric Self-Destruction, a short experimental documentary ... -
Teddy bear suited Gaija
(2022)Nina, 39, on tekemässä uransa läpimurtoa: hän on saanut unelmaroolin suuresta kotimaisesta elokuvatuotannosta, kun hänet yhtäkkiä syrjäytetään nuoremman ja nimekkäämmän näyttelijän tieltä. Aikaa ei ole enää hukattavaksi ...Rajattu käyttöoikeus / Restricted access / Tillgången är begränsad -
The Black Pill : the limits on satire in contemporary screenwriting
(2023)Objectives Artistically, my aims were to deepen my understanding of narrative structure in feature film screenwriting and to produce a work entertaining and meaningful enough to merit consideration for production in ...Rajattu käyttöoikeus / Restricted access / Tillgången är begränsad -
The image moves like a mind : filmmaking as a refined intuitive practice
(2022)Tässä opinnäytetyössä pohdin intuition käyttöä elokuvanteossa. Taiteelliseksi opinnäytetyöksi luomani lyhytelokuva ”Cuckoo’s Play” oli vuoden pituinen matka. Sen aikana tutkin taiteelliselle prosessilleni olennaisia ... -
The visual language of female horror characters
(2024)The objective of this study was to present multidimensional portrayals of female characters in horror by applying feminist film theories, psychoanalytic theories, and visual analysis. Applying these theories in the context ... -
”Vaan jätkä on sentään jätkä!” : Rovaniemen markkinoilla -elokuva yhteiskuntakriittisenä teoksena
(2024)Opinnäytetyössä tutkitaan Rovaniemen markkinoilla -elokuvaa yhteiskuntakriittisenä teoksena. Opinnäytteessä määritellään yhteiskuntakritiikki, jonka perusteella tarkastellaan, löytyykö yhteiskuntakritiikkiä kyseistä ... -
Why not just filmmaker? : women in the film industry, from pioneering cinema, the feminist revolution, and blockbusters, to today’s digital platforms
(2022)This thesis began as a search to find out the purpose of the term ‘female filmmaker’ and determine if it is outdated. The North American film industry is male-dominated with women making up less than 20 percent of the lead ...







