Digital Animation Workflow for Live Cinema : "Roll" - Visual Performance
Giraldo Saldarriaga, Sindy (2016)
Giraldo Saldarriaga, Sindy
Tampereen ammattikorkeakoulu
2016

Creative Commons Attribution-NonCommercial-ShareAlike 1.0 Finland
Julkaisun pysyvä osoite on
https://urn.fi/URN:NBN:fi:amk-2016100714935
https://urn.fi/URN:NBN:fi:amk-2016100714935
Tiivistelmä
The purpose of this thesis was to analyse and suggest a potential workflow of digital animation used in live cinema projects. The theoretical part presents an introduction to digital animation, analysing the different types of techniques available. The following part describes live cinema field, investigating the use of visual content in connection with sound.
In order to accomplish the study, I took part in a visual performance project, where I faced the production steps, from the pre-production to the final execution. In addition, I conducted a research on the experience of 50 professionals in the field of live cinema and digital animation.
The data collected from the questionnaire were placed in comparison with the production pipeline followed during the visual performance project I took part in. It was found that there are no fixed rules to approach the creation of performative content, partly because each artist approach the production in different ways, depending on different factors.
However, following a structure during the production is a valid option, especially to ensure not to forget some important steps while making a visual performance.
In order to accomplish the study, I took part in a visual performance project, where I faced the production steps, from the pre-production to the final execution. In addition, I conducted a research on the experience of 50 professionals in the field of live cinema and digital animation.
The data collected from the questionnaire were placed in comparison with the production pipeline followed during the visual performance project I took part in. It was found that there are no fixed rules to approach the creation of performative content, partly because each artist approach the production in different ways, depending on different factors.
However, following a structure during the production is a valid option, especially to ensure not to forget some important steps while making a visual performance.