ART OF PARTICIPATION - an Examination through the Circle
Hedberg, Åsa Maria (2016)
Avaa tiedosto
Folder 1 - The Transition Machine mini.MOV.mp4
Folder 3 - IMPRESSION I - magic inclusion.mp4
Folder 1 - Twitter_LIVE Act II-mini.mp4
Lataukset:
Yrkeshögskolan Novia
2016
All rights reserved
Julkaisun pysyvä osoite on
https://urn.fi/URN:NBN:fi:amk-201702082171
https://urn.fi/URN:NBN:fi:amk-201702082171
Tiivistelmä
ART OF INCLUSION – an Examination of the Circle is the master thesis of the artist Åsa Maria Hedberg. It retells the process of an examination of the circle, used as a conceptual and visual tool in two public art acts:
IMPRINT and IMPRESSION. The purpose of the study is to understand the characteristics and effects of the circle when used in participatory art of the artist. The study also aims to position the artist within the field of participatory art and artists of today.
The use of the circle is found to inform the art of the author-artist when her art works conceptually touches upon the subject matter of inclusion/exclusion. The socio-political aspect of openness of the circles of societies to any newcomer, will be an increasingly important future topic for artists to take on and engage in.
As a parallel, the international art world is another circle that includes and excludes. The artist learns from her participants and will find her way in. ART OF INCLUSION – an Examination of the Circle is the master thesis of the artist Åsa Maria Hedberg. It retells the process of an examination of the circle, used as a conceptual and visual tool in two public art acts:
IMPRINT and IMPRESSION. The purpose of the study is to understand the characteristics and effects of the circle when used in participatory art of the artist. The study also aims to position the artist within the field of participatory art and artists of today.
The use of the circle is found to inform the art of the author-artist when her art works conceptually touches upon the subject matter of inclusion/exclusion. The socio-political aspect of openness of the circles of societies to any newcomer, will be an increasingly important future topic for artists to take on and engage in.
As a parallel, the international art world is another circle that includes and excludes. The artist learns from her participants and will find her way in.
IMPRINT and IMPRESSION. The purpose of the study is to understand the characteristics and effects of the circle when used in participatory art of the artist. The study also aims to position the artist within the field of participatory art and artists of today.
The use of the circle is found to inform the art of the author-artist when her art works conceptually touches upon the subject matter of inclusion/exclusion. The socio-political aspect of openness of the circles of societies to any newcomer, will be an increasingly important future topic for artists to take on and engage in.
As a parallel, the international art world is another circle that includes and excludes. The artist learns from her participants and will find her way in.
IMPRINT and IMPRESSION. The purpose of the study is to understand the characteristics and effects of the circle when used in participatory art of the artist. The study also aims to position the artist within the field of participatory art and artists of today.
The use of the circle is found to inform the art of the author-artist when her art works conceptually touches upon the subject matter of inclusion/exclusion. The socio-political aspect of openness of the circles of societies to any newcomer, will be an increasingly important future topic for artists to take on and engage in.
As a parallel, the international art world is another circle that includes and excludes. The artist learns from her participants and will find her way in.