Audience engagement in K-pop concerts
Björklöf, Tua (2023)
2023
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Julkaisun pysyvä osoite on
https://urn.fi/URN:NBN:fi:amk-2023120133346
https://urn.fi/URN:NBN:fi:amk-2023120133346
Tiivistelmä
The main point of this thesis is to answer to the question “what makes K-pop concerts so engaging?”. Most of the thesis is written as autoethnography but some research has also been made to backup facts and to build a better overall understanding. K-pop (Korean pop music) has also been introduced more in detail to build an understanding around one of the main topics of the thesis.
The concert experiences will be evaluated based on Kylänen and Tarssanen’s (2009) Experience Pyramid. Comparisons between concerts from different music styles will also be made to build an overall understanding of differences. Some comparisons between concerts happening in different countries has also been made to inform of the differences in those.
In the end some of the main differences have been selected from different music style concerts and brought together to make comparisons between them. Conclusion has been written with criticality towards the made research, but also with suggestions how to improve or further research the topic.
The concert experiences will be evaluated based on Kylänen and Tarssanen’s (2009) Experience Pyramid. Comparisons between concerts from different music styles will also be made to build an overall understanding of differences. Some comparisons between concerts happening in different countries has also been made to inform of the differences in those.
In the end some of the main differences have been selected from different music style concerts and brought together to make comparisons between them. Conclusion has been written with criticality towards the made research, but also with suggestions how to improve or further research the topic.