The beauty of monstrosity : Monster theory: what is it, and what does it say about my films?

Abstract

The beauty of monstrosity: what is it, and what does it say about my films? Presents the relatively new discipline of monster theory and then the application of monster theory to my own cinematic work. The thesis examines how monsters, as cultural and psychological symbols, manifest human fears, desires, and societal anxieties. Drawing on the foundational concepts of monster theory proposed by Jeffrey Jerome Cohen and further developed by scholars such as J.A. Weinstock. The thesis delves into how monsters reflect cultural taboos, social boundaries, and identity crises. I analyze my own short films: Murder of Crows (2023), Agape (2023), The Soul in the Crystal (2024, and Dead Man’s Gold, (2025) through the lens of monster theory, to see if they share similarities on the subject of monsters. The analysis demonstrates that the monsters in my films are not solely a representation of evil but serves as a metaphor for inner conflict and personal growth. The thesis argues that monsters are not merely antagonists but dynamic agents of change that challenge societal norms and personal fears, ultimately leading to moments of reconciliation and acceptance. Through this introspective and theoretical approach, the thesis not only contributes to the understanding of monster theory in cinema, art and culture, but also sheds light on the personal and creative motivations behind my storytelling choices.