Why is important to know the Latin American Art Song Repertoire : Theodoro Valcárcel Art Songs in Indigenous and Spanish Languages

Abstract

This thesis presents an overview of Latin American Art Songs, emphasizing their cultural significance, musical richness, and the diverse influences from at least three continents that have contributed to their birth. It explores their historical roots, struggles for Latin American identity, and the syncretism of indigenous, European, and African traditions, cultures. A key focus is the role of indigenous languages, particularly Quechua, in shaping some of its repertoire, with an emphasis on the works of Theodoro Valcárcel, a Peruvian Aymara composer.

Additionally, this thesis examines the ways in which Latin American Art Songs function as a form of cultural resistance against colonial narratives, advocating for the revalorization and recognition of these traditions in the academic and classical music worlds. It argues for the decolonization of classical music, challenging dominant Eurocentric frameworks and emphasizing the role of music in the ongoing struggle for human rights and cultural equity.

Ultimately, this work seeks to contribute to a broader understanding of Latin American Art Songs as a tool for historical awareness, anti-colonial expression, and cultural reawakening. Through this lens, it highlights the power of music in fostering justice, reclaiming heritage, and resisting systemic oppression.